BCC:02.09.2019, 18:46

  


 

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 The film consists of an improv cello performance in which the sounds from his cello are sent through a piezo pickup to various looping and distortion pedals paired with visual works

Crow Vendetta performs an improv cello performance in which the sounds from his cello are sent through a piezo pickup to various looping and distortion pedals. Vendetta uses his cello as both a string and percussion instrument guiding the audience through a sonic journey.

 

The musical performance is paired with two large dye paintings by Justin Suazo in the background, one on flannel and the other on paper. The two paintings were created simultaneously by pouring reactive dye onto paperbacked flannel, letting it dry, and then peeling the paper off leaving a “carbon copy” of the original.

The final edit of the film includes subliminal images and videos from the day of the paintings inception, adding a performative element to the paintings themselves. The film aims to both break up and blend the two performances, that occurred more than two years apart, into one harmonious event, compressing the time between them and amplifying their underlying concepts surrounding improvisation, duplication, and the duality between natural order and mechanical reproduction.


The title of the film and score derives from the idea of the “blind carbon copy”, most commonly known as its abbreviation “BCC” in emailing terms. The numbers in the title of the film correspond to the date and time in which
the performance occurred.

 

This film was produced by Software Studios and shot on location in our photo studio.

 

 

CROW VENDETTA:
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JUSTIN SUAZO:
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CROW:
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JUSTIN:
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